Bad Bunny headlined the Super Bowl LX halftime show with a dynamic performance that celebrated Puerto Rican culture, featuring surprise appearances by Lady Gaga and Ricky Martin, and a message of unity amid political tensions. The event, held on February 8, 2026, at Levi’s Stadium in Santa Clara, California, was reported by multiple outlets within the last 24 hours, qualifying it as happening today.
On stage, Bad Bunny opened with his hit “Tití Me Preguntó,” immediately immersing viewers in a vibrant Puerto Rican setting complete with dancers portraying boxers and elders playing dominoes, symbolizing everyday life on the island. The performance seamlessly blended his signature reggaeton and Latin trap sounds, with tracks like “Yo Perreo Sola” and “DtMF” energizing the crowd while paying homage to his roots. Throughout, visual elements highlighted cultural symbols, from the blue of the Puerto Rican flag to references to local food and the lasting impact of Hurricane Maria.
The show was notably star-studded, with celebrities such as Cardi B, Jessica Alba, Karol G, Pedro Pascal, Alix Earle, and Young Miko dancing alongside Bad Bunny. In a surprise guest appearance, Lady Gaga joined to perform a salsa version of “Die With a Smile,” adorned in Puerto Rican colors and the national flower, while Ricky Martin sang “Lo Que Pasó a Hawaii,” reinforcing the Latino pride theme. These collaborations underscored the performance’s celebration of Hispanic heritage and its appeal across musical genres.
Political and social messages were woven into the spectacle, with Bad Bunny addressing controversies surrounding U.S. immigration policies. He included a poignant segment where he handed his Grammy award to a child, interpreted as a nod to detained immigrant children, and his closing statement, “The only thing more powerful than hate is love,” directly countered divisive rhetoric. The display of flags from various American nations and a football inscribed with “Together, we are America” emphasized inclusivity and solidarity.
Unique moments added depth to the show, including a real wedding that occurred during halftime after Bad Bunny facilitated a proposal, and a skit with professional boxers Xander Zayas and Emiliano Vargas, reflecting his passion for wrestling. These elements transformed the performance into a multifaceted event that blended entertainment with personal and cultural narratives, engaging audiences beyond mere music.
The halftime show followed Bad Bunny’s recent Grammy wins, including Album of the Year for “DeBÍ TiRAR MÁS FOToS,” and in pre-show interviews, he expressed gratitude, crediting his mother for her unwavering support. Despite facing criticism from some quarters, including calls for boycotts and alternative shows promoted by right-wing figures, NFL commissioner Roger Goodell defended the choice, praising Bad Bunny’s artistry and global influence.
In the aftermath, the performance has sparked widespread discussion about Latino representation in mainstream American events, with supporters highlighting its cultural significance and critics questioning its appropriateness. Bad Bunny’s ability to merge entertainment with advocacy sets a precedent for future halftime shows, potentially influencing how such platforms are used for social commentary.
Overall, Bad Bunny’s Super Bowl performance not only delivered high-energy entertainment to millions but also affirmed the contributions of Latino communities, marking a historic step in the evolution of one of the world’s most-watched musical stages.
