Corey Feldman has made new allegations in a documentary that his late co-star Corey Haim molested him during the production of the 1987 film ‘The Lost Boys,’ reigniting discussions about sexual abuse in the entertainment industry.
In the documentary ‘Corey Feldman vs. The World,’ Feldman recounts an incident where Haim, then a fellow teenage actor, suggested they engage in sexual activity while filming the iconic vampire movie. Feldman alleges that Haim told him, ‘Hey man, let’s mess around,’ and when questioned, Haim claimed it was common practice in Hollywood, citing actor Charlie Sheen as having given permission. This account is detailed in the film, which was released recently and has garnered attention from major news outlets.
The allegations stem from a time when both Feldman and Haim were rising stars, having achieved fame through ‘The Lost Boys’ and subsequent collaborations like ‘License to Drive.’ Their partnership made them household names in the 1980s, but behind the scenes, Feldman now claims that Haim’s advances constituted molestation. He describes feeling scared and coerced as a teenager, unable to fully resist the unwanted sexual pressure from his friend and co-star.
Feldman has a history of speaking out about sexual abuse in Hollywood, having previously alleged that both he and Haim were victims of assault by other industry figures. In a 2020 documentary, ‘My Truth: The Rape of Two Coreys,’ he detailed abuses but did not mention Haim as a perpetrator. The new claims add a layer of complexity, suggesting that Haim, who died in 2010, was both a victim and an abuser in the toxic environment of child stardom.
The #MeToo movement has brought increased scrutiny to such allegations, and Feldman’s documentary arrives at a time when survivors are more encouraged to share their stories. Director Marcie Hume, who filmed ‘Corey Feldman vs. The World,’ noted that the interview was emotionally charged, with Feldman reliving traumatic experiences. The film also explores other aspects of Feldman’s life, including his music career and controversial management of his all-female band, ‘Corey’s Angels.’
In response to the allegations, Charlie Sheen has vehemently denied any involvement, calling the claims ‘sick, twisted and outlandish’ and stating they never occurred. Representatives for Haim’s estate have not commented, but in the past, Haim’s mother, Judy Haim, refuted similar accusations against Sheen, saying her son never mentioned such incidents. Feldman stands by his account, emphasizing that Haim provided detailed descriptions of the abuse.
The implications of these allegations are significant, as they challenge the narrative of Feldman and Haim’s friendship and highlight the pervasive issue of exploitation in Hollywood. Feldman believes that by speaking out, he has started a movement to expose predators and support victims. However, the documentary also portrays Feldman in a controversial light, with ex-band members accusing him of controlling behavior, which Hume acknowledges complicates the picture.
Moving forward, the documentary is available for purchase on platforms like Apple and Amazon, likely to spark further debate. Feldman’s claims, while disputed by some, underscore the need for continued vigilance and support for survivors of abuse in the entertainment industry. As more details emerge, the story serves as a reminder of the long-lasting impacts of childhood trauma in high-pressure environments.
