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HomeEntertainment & CultureAt the Grammys, bad taste had a good night

At the Grammys, bad taste had a good night

At the 2026 Grammy Awards, a wave of unconventional fashion choices by celebrities like Chappell Roan and Bad Bunny dominated the red carpet, sparking debates about taste and style in the entertainment industry. This event highlighted how ‘bad taste’ can be a deliberate and engaging artistic statement, blending entertainment with cultural commentary.

The 68th Grammy Awards took place on February 1, 2026, at the Crypto.com Arena in Los Angeles, hosted by Trevor Noah. Beyond the musical performances and awards, the red carpet became a focal point for bold sartorial statements that challenged traditional notions of beauty. Celebrities opted for outfits that were described as odd or ugly, yet undeniably memorable, setting the tone for a night where fashion took center stage alongside music.

Specific looks captured widespread attention. Chappell Roan wore a custom Mugler dress featuring prosthetic nipples, a recreation of a controversial 1998 design originally modeled with real piercings. Bad Bunny sported Schiaparelli’s first custom menswear look—a velvet tuxedo with plunging lapels and a corset lace-up back—while Lola Young chose a Vivienne Westwood tracksuit paired with a striped tie. Billie Eilish’s outfit by the Swedish brand Hodakova, made from reworked men’s trousers with visible seams and pockets, further pushed boundaries with its deliberately frumpy aesthetic.

Fashion critics and media outlets, including CNN and Vanity Fair, emphasized how these ‘bad taste’ outfits were thought-provoking and sparked conversation. The concept resonates with designers like Miuccia Prada, who has long championed ‘ugly chic’ to challenge sartorial norms, suggesting that ugliness can be exciting and human. This perspective was echoed in commentary referencing Prada’s 1996 ‘Banal Eccentricity’ collection and film director John Waters’ views on bad taste as entertainment.

The fashion discourse intersected with the night’s musical achievements, adding depth to the event’s cultural significance. Bad Bunny made history by winning Album of the Year for ‘Debí Tirar Más Fotos,’ the first Spanish-language album to receive this honor. His emotional speech, which included a dedication to immigrants and a critique of ICE, highlighted political undertones, while other performances and wins by artists like Kendrick Lamar contributed to a vibrant celebration of diversity in music.

Industry implications suggest that the embrace of unconventional fashion at the Grammys reflects a broader trend in entertainment towards novelty and rebellion against algorithmic curation. By defying repetitive beauty standards, these outfits demand more attention and linger in public memory, potentially driving fashion innovation. Designers like Jean Paul Gaultier and Demna have similarly used discomfort to spark dialogue, indicating that ‘bad taste’ can be a never-ending wellspring of inspiration.

As celebrities continue to push boundaries, events like the Grammys serve as platforms for cultural expression and social commentary. The momentum from this night is likely to influence upcoming fashion and music moments, such as Bad Bunny’s anticipated Super Bowl halftime performance. Ultimately, the 2026 Grammys demonstrated that in a digitally curated world, effortful weirdness can captivate audiences and redefine entertainment norms.

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