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HomePolitics & SocietyHow Trump is remaking the White House in his own image

How Trump is remaking the White House in his own image

President Donald Trump is advancing a major renovation of the White House, including the demolition of the historic East Wing to construct a new ballroom, funded by private donors, sparking debates over preservation and presidential legacy. The project, estimated at $300 million, aims to enhance event hosting capabilities but has drawn criticism for its scale and lack of public oversight.

The demolition of the East Wing and East Colonnade, parts of the White House that have stood for over 120 years, began last month, marking a visible shift in the building’s architecture. Crews reduced these sections to rubble to make way for a 90,000-square-foot ballroom designed to accommodate nearly 1,000 guests for state dinners and other large events. Trump, a former property developer, has emphasized that the new space will eliminate the need for temporary tents, which he described as problematic in inclement weather. However, the scale of the addition has raised concerns that it could overwhelm the existing 55,000-square-foot residence, altering the classical balance of the White House’s design.

Funding for the ballroom comes from Trump himself and a roster of private donors, including corporations like Amazon, Google, and Meta, as well as billionaire investors. This donor-based model, while avoiding taxpayer money, has prompted ethical questions about potential influence-peddling and access to the administration. Trump has defended the approach, stating that the ballroom will be “the most beautiful anywhere in the world” and completed before the end of his term. Despite assurances, the lack of transparency in donor lists and project details has fueled criticism from legal experts and watchdog groups.

Historic preservationists have voiced strong objections, with the National Trust for Historic Preservation calling for a pause in demolition to allow for public review. Dr. Carol Quillen, the trust’s leader, expressed deep concern that the new structure could permanently disrupt the White House’s carefully balanced design. The Society of Architectural Historians echoed these sentiments, labeling the project as destruction rather than renovation and noting that it lacked approval from federal agencies like the National Capital Planning Commission. Artefacts from the demolished sections were documented and stored by the White House Historical Association, but the rapid progression of work has left little room for consultation.

Comparisons to past renovations highlight key differences; under President Barack Obama, a $376 million project focused on upgrading underground utilities like plumbing and electrical systems, funded by taxpayers and approved by Congress. Obama’s work aimed at maintenance without exterior changes, whereas Trump’s ballroom represents the first major exterior alteration in 83 years, since President Harry Truman’s extensive rebuild due to structural issues. Critics argue that Trump’s project bypasses standard review processes, with the White House exempt from certain historic preservation laws, though presidents have traditionally embraced transparency in such endeavors.

Beyond the ballroom, Trump has personalized other areas of the White House, including a lavish makeover of the Oval Office with gold accents and ornate furnishings. The Rose Garden was recently paved over with white stone and rebranded as the Rose Garden Club, featuring parasols similar to those at Trump’s Mar-a-Lago estate. A new Presidential Walk of Fame with gold-framed portraits of past presidents—excluding Joe Biden—has also been installed, further reflecting Trump’s stylistic preferences. These changes, while praised by the administration for their quality, have drawn mixed reactions from designers and historians who see them as imposing a monarchical aesthetic on a democratic symbol.

The renovations underscore Trump’s broader ambition to leave a physical legacy, with plans for a triumphal arch in Washington, D.C., to commemorate the nation’s 250th anniversary. As construction continues, the ballroom project may set precedents for how future presidents approach White House modifications, balancing personal expression with historic stewardship. Ongoing debates highlight tensions between executive autonomy and public accountability, with implications for the preservation of national landmarks and the norms of presidential conduct.

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