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Pamela Anderson calls PR stunts ‘a death sentence’ after being accused of faking Liam Neeson romance

Pamela Anderson has firmly rejected allegations that her relationship with co-star Liam Neeson is a publicity stunt, labeling such tactics as a ‘death sentence’ during an award acceptance speech in France. Her comments come amid widespread speculation fueled by their recent film promotions.

Anderson made the remarks on September 5, 2025, at the Deauville American Film Festival, where she was honored with the Deauville Talent Award. In her speech, she stated, ‘I do not and will never feed into PR stunts. That would be a death sentence. I’m authentically driven.’ She emphasized her superstition about love and discomfort with sharing personal details, framing her approach as sincere and professional.

The rumors began circulating after the release of ‘The Naked Gun,’ a comedy reboot in which Anderson and Neeson star together. During the film’s press tour, their affectionate interactions, including a cheek kiss at the London premiere, fueled gossip about a potential off-screen romance. This speculation was heightened by reports from outlets like People magazine, which initially broke news of their dating in July.

Sources close to the production have consistently denied that the relationship is fabricated. An insider told People that ‘everything between them has been genuine,’ and neither actor needs the publicity, suggesting a sincere connection. Another source mentioned that they bonded over discussions about parenthood, with both having children from previous relationships.

Anderson and Neeson, both seasoned actors, found common ground in their personal lives. Neeson has two sons from his late wife Natasha Richardson, while Anderson has two sons with ex-husband Tommy Lee. This shared experience reportedly deepened their rapport on set and during off-hours dinners with the cast.

In her speech, Anderson also reflected on her career resurgence, expressing gratitude for her place in pop culture and her commitment to leaving an honest legacy. She hinted at future collaborations, mentioning a missed project with filmmaker Werner Herzog and her readiness for new challenges. Her recent work, including a nominated performance in ‘The Last Showgirl,’ marks a significant comeback.

Despite the ongoing rumors, Anderson remains focused on her craft and personal integrity. She concluded her address by urging positivity and appreciation for the support, reinforcing that there are ‘no silly games being played.’ Her stance highlights a broader industry issue of PR-driven narratives versus authentic relationships.

Looking ahead, Anderson has several projects in the pipeline, such as ‘Place to Be’ and ‘Queen of the Falls,’ indicating that her professional journey continues to evolve. The Deauville Festival’s recognition underscores her enduring impact on cinema, even as she navigates the complexities of fame and personal life.

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